Showing Records: 1 - 8 of 8
A Crise do Passado / Menezes, Philadelpho ; Schwitters K ; Soffici A ; Marinetti FT ; Gomringer E ; Pignotti L ; Ferrando B ; Richard C., 1994
Abstraccio Muntatge 1916-1945 / Schwitters K ; Chashnik IG ; VanDoesburg T ; Rodchenko A ; Zdanevich I ; Lissitzky E ; Zwart P ; Steinitz K., 1994
Illustrated and held by or formally held by the Sackner Archive are Dada Souleve Tout; Kleine Dada Soiree by Schwitters and van Doesburg; Petit Cabaret Fantastic by Zdanevich; Het Boek van PTT by Zwart; Die Scheuche by Schwitters, van Doesburg and Steinitz; and an alternative version of the book cover design for Lenin/Gorki by Chaschnik. -- Source of annotation: Marvin or Ruth Sackner.
Avantgarde Folyoiratok (Periodicals) 1920-1930 / Lissitzky E ; Kassak L ; VanDoesburg T ; Picabia F ; Schwitters K., 1978
The covers of the seven periodicals reproduced in this catalogue appear to have been printed with letterpress or lithography. -- Source of annotation: Marvin or Ruth Sackner.
Captured Glance: The Avante-Garde and Advertising in the Twenties / Monica J Strauss, curator ; Schwitters K ; Chashnik IG ; Hoch H ; Bayer H ; Lissitzky E ; Michel R ; Zwart P ; Berman M ; Berlewi H., 1987
The essay by Monica J. Strauss traces the successful collaboration between fine and commercial artists in Germany between the wars and questions the "rigid distinctions between art and design" in contemporary times. -- Source of annotation: Marvin or Ruth Sackner.
No.2 / MJS Books & Graphics ; Schwitters K ; VanDoesburg T ; Burliuk D ; Khlebnikov V ; Rodchenko A ; Grosz G ; Kamensky V ; Kassak L ; Mayakovsky V ; Stein G ; Werkman HN ; Ichiyama D ; Hamady W ; Kaufman M ; Lehrer W ; Reichert J ; Roether S ; Sandberg W ; Ashbery J ; Ely T ; Feyrer G ; King R ; Mehring W ; Ting W ; Hoyt S ; Kassak L ; VanVleit C ; Malevich K., 1989
No.15: Fall-Winter / Adam, Alice ; Lissitzky E ; Schwitters K ; Moholy-Nagy L., 1990
In this catalogue, there is a photographic reproduction and documentation of Lissitzky's "Beat the Whites with the Red Wedge." The image size of ~18 x ~22 inches is identical to the poster held by the Sackner Archive. However, there are differences in the cluster of forms in the upper right corner. The authenticity was documented by Eugene Kotvin, Curator of Prints, Russian Museum, Leningrad. Kotvin noted that there were two editions of the print with two lithographic matrices produced in Unovis Workshop owing to the large numbers required. This explains the typographical differences among posters. -- Source of annotation: Marvin or Ruth Sackner.